Copyright Adam S Bailey adam s bailey garden design

 

World Garden Information and interview with the designer

 

World Garden Designing a dream Taking on the world Garden info Photo gallery The Award

 

Adam, designer of the World Garden, talks of his involvement with the creation of the World Garden and discusses the true story behind its beginnings...

"Adam, how did you get to be involved with the World Garden?"

Tom came to see me one afternoon at our studio in Eynsford. I was actually looking for a way of meeting him rather than the other way around as I'd heard about an amazing idea he had to create a World Garden with plants from around the world and knew about his incredible story of being held captive in the jungle.  Instead he turned up one afternoon and once he'd explained his idea for a World Map of plants I was hooked. I knew it could be done if we ensured the practical side of things was taken care of.

"Was it a challenge working with Tom Hart Dyke?"

You know Tom! He's very enthusiastic and I think his energy for the project has really driven it forward. I sometimes had to steer him away from gimmicks but on the whole I think we succeeded in getting the idea off the ground.

"You say gimmicks but what about Ayers Rock?"

That wasn't designed by me! That was a friend of Tom's who installed it after the first phase of the garden was finished. Can't say I like it - the whole garden is made up of natural rock - Ayers Rock isn't, it just doesn't work as a feature. OK, it's dreadful, but Tom likes it and it's his garden.

"You're one of the original cast of the first BBC series, "Save Lullingstone Castle" - did you do just that?"

(Smiles) Yeah, it's something different to put on the CV isn't it? Saving a historic castle from bankruptcy isn't your everyday project. It wasn't single handed but I'm pretty stubborn when it comes to getting the job done so I knew I had to do some serious problem solving.

" We watched the first series - do you mean problems like the consultants?"

Admittedly we didn't see eye to eye. From the start I wasn't convinced either of the "very expensive consultants" (Guy Hart Dyke's words) really understood the project as well as myself or the original contractor with whom I was working. They just didn't seem to get it.

"What was it like being in front of a television camera for the first series?"

It was quite fun, really. Rather a novel experience for someone who's never done it before.

"Was it a true reflection of what really happened in the making of the garden?"

Is it ever?!! You have to smile when they call it 'reality television'. Reality doesn't always get a look in.

"Moving on, you mentioned "the original contractor". Didn't he build the garden?"

No, he didn't. He was a superb, local, professional contractor who spent many painstaking months with me working out quantities and schematics. In the end they didn't use him. He was critical to the garden being built to the high standard I expected.

"Why didn't he build the garden?"

One of the consultants arranged a very small sponsorship deal. Our original contractor wasn't part of that deal so our chap didn't get the contract. Instead, at the eleventh hour they called in a plant hire firm who hadn't been involved with the project from the start. They were part of the deal so they got the contract despite the fact that they hadn't built anything like the project before.

"You don't sound impressed?"

No, not really. The garden would have looked very different to what it does today if our preferred contractor had been allowed to follow through all his earlier work. There are in effect two World Gardens - the one which Tom is dumping loads of car tyres and junk into and the one which we had originally planned to build. I guess that's the problem with seeing a dream in your head. It doesn't always materialise.

"Surely there wasn't the money to do it your way?"

The cost difference was negligible compared to the effect that would have been created. There's also the possibility that we could also have raised funds from a sponsorship deal we were in the process of setting up ourselves. One which the consultants decided to take over and in the end never materialised.

"You mean the family never had to take out the loan in the first place?..."

We'll never know, but it's quite possible that the loan didn't have to be anywhere near as big. They now have a huge debt to pay off which possibly could have been avoided.

"Are you disappointed at the way the garden has turned out?"

You've got to be philosophical. It's all a learning curve. It's taught me a lot about dealing with people who claim to understand landscaping issues and don't. The World Garden is unique. It had to be completed properly in order for people to keep returning to visit it and keep the castle in profit. I just hope that what they've ended up with does just that.


"Any final thoughts?"

Yeah, I'm hoping somebody convinces Tom to get rid of Ayers Rock! (laughs).... When you look down on the garden from overhead you see my basic layout for the continents but not the true 3D map as we were planning it. In my head I still see the World Garden as it should have been. Guess that'll be a project for another day....

 

Total amount of rock used: 341 tonnes 

                   

Total garden area: 4400m² (approximately 1 acre)

 

Total area of pathways: 1650m²   ('Cedec Silver' aggregate)

 

Projected plant species: 6000+                             

 

Budget:  £100,000+

Project development term: 4 -5 years

        

Stone used in the garden includes:

 
Black Whinstone (Canary Islands) Limestone - Weathered (Ireland)
Firebird Gneiss (Asia) Meadowgrass Marble (Europe)
Green Granite (South America) Purbeck (Australia and Tasmania)
Harlequin Quartzite (Japan) Purple Schist (New Zealand)
Red Granite (England, Scotland and Wales) Silver Grey Granite (North America)
Yorkstone (Africa)  

 

All rock and pathway surfacing materials supplied by CED

 

BBC2 series: "Return to Lullingstone Castle" - currently on BBC2

photos by Adam S Bailey

 

Tel: 01322 865566

e: info@landartdesign.co.uk

 

 Read Tom's story here...